Olson worked on several Treks, including J.J. Abrams' 2009 feature film.

For the 35th anniversary of the film, several founding members of ILM’s CG department got together to discuss the technical ...

Jeff Olson, a modelmaker, model supervisor, and visual effects producer who worked on “Star Wars: Episode 1 – The Phantom ...

Add Yahoo as a preferred source to see more of our stories on Google. But since Favreau and team filmed for Imax, that meant more detail went into all 2,300 VFX shots created by Industrial Light & ...

Indeed. Working with Epic Games, the studio behind the Unreal Engine (aka the thing that powers Fortnite), along with Bluff at ILM and cinematographer Greig Fraser, who had done a lot of work shooting ...

SAN FRANCISCO--When George Lucas talks about the raison d'etre of his award-winning visual effects studio, Industrial Light & Magic, his logic might strike some in the bottom line-obsessed world of ...

The first season of “The Mandalorian” last year wasn’t just a great show, it was the result of an entirely new paradigm in film and TV production. Stagecraft, the enormous LED-wall volume ILM used to ...

Update (11:49 a.m.): Weta Digital has been contacted for comment, and this story will be updated when and if the company responds. SAN FRANCISCO--About a year ago, with James Cameron's science-fiction ...

Expanding on what we learned earlier this week from NVIDIA's talk with effects group ILM, Visual Effect Supervisor Pablo Helman let us know that their work on the film Battleship's effects and ...

Jon Favreau's Disney+ "Star Wars" series benefited from a breakthrough in digital backdrops while shooting on set. After making the virtual production leap on “The Lion King” with the help of virtual ...

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